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BRANDS > ATOMOS > ATOMSHGFL2

ATOMOS ATOMSHGFL2 Shogun Flame with FREE Power Kit
ATOMSHGFL2


    PRODUCT CODE: ATOMSHGFL2

    QUANTITY:

    PRICE: $995.00
    (Add item to order and go to cart to view shipping cost.)

    AVAILABILITY: OUT OF STOCK


    Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor's image quality. The solution is the Shogun Flame, a 7" 10-bit AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNxHR recording, Sony & Canon Raw to ProRes/DNxHR recording, professional HDMI, SDI and XLR connections along with LTC/Genlock & bidirectional SDI/HDMI conversion needed on set and in broadcast. With AtomHDR, you get the brightness and dynamic range of HDR Log with natural, vibrant colors to let you simply shoot the way you see.

    Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

    Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring.

    Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

    With both HDMI and SDI connectivity in/out and bi-directional conversion, the Shogun Flame connects with almost all cameras.

    Output Raw from select cameras and record direct to 4K/HD Apple ProRes or DNxHR.

    Shogun Flame records to professional 10-bit 4:2:2 ProRes & DNxHR demanded in post production.

    The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

    Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.

    The Shogun Flame has professional audio to match professional video. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power. Audio control is simple with dedicated meters and menus to select channels for recording/ monitoring and adjustments for frame delay and gain.

    Outside of 10-bit 4:2:2 ProRes/DNxHR, the Shogun Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

    Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

    Weight
    Without batteries & media 650g / 22.9oz
    With batteries & media 1094g / 38.6oz
    Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8
    Construction High quality lightweight ABS Polycarbonate for durability & portability
    Built-in armor protection
    Power
    Operating power 10 - 24W
    Compatible batteries NP-F series and supporting accessories
    Input voltage (battery) 6.2V to 16.8V
    Battery time (based on 2 x 7.4V batteries) -
    5200mAh - up to 1.5hrs (monitor & record 4K 30p)
    7800mAh - up to 2.2hrs (monitor & record 4K 30p)
    DC In 1 x DC in (6.2 - 16.8V)
    Continuous power
    ** Patent pending
    Primary-secondary battery system
    Change batteries without losing power
    Loop batteries continuously
    Touchscreen
    Size 7.1
    Resolution 1920 x 1200
    PPI 325
    Aspect ratio 16:9 native
    Color Gamut REC709 HDTV
    Look up table (LUT) support 3D LUT (.cube le format)
    Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
    Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
    HDR
    AtomHDR Yes
    Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
    Panasonic Vlog, JVC JLog, Red LogFilm
    Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / BT2020 / DCI P3 / DCI P3+
    Panasonic V Gamut
    Arri Alexa Wide Gamut
    Bit depth 10-bit (8+2 FRC)
    Brightness 1500nit (+/- 10% @ center)
    HDR input (PQ/HLG)
    HDR output (PQ/HLG)
    Yes / Yes
    Yes / Yes
    Video input/loop out
    HDMI 1 x HDMI (1.4b)
    SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
    Signal Uncompressed true 10-bit or 8-bit 422
    (camera dependent)
    Video output (play out)
    HDMI 1 x HDMI (1.4b)
    SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    Signal Uncompressed true 10-bit or 8-bit 422
    (playback file dependent)
    Supported loop out formats
    HDMI to HDMI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/120,
    2160p 24/25/30
    SDI to SDI 720p 50/60, 1080i 50/60
    1080pSF 24/25/30
    1080p 24/25/30/50/60/120*
    2160p 24/25/30
    Video signal conversion
    HDMI to SDI 720p 50/60, 1080i 50/60
    1080p 24/25/30/50/60/120*
    2160p 24/25/30
    SDI to HDMI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/120*
    2160p 24/25/30
    Supported Codecs & frame rates (record & playback)
    Raw Record* Sony FS5/FS7^^/FS700 CDNG
    4K DCI; 24/25/30p
    4K UHD;
    2K; 24/25/30
    1080;

    Canon C300MKII/C500 CDNG
    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K;
    1080;

    Panasonic VaricamLT CDNG*
    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K;
    1080;

    Raw to ProRes / DNxHR Sony FS5/FS7/FS700*
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30p
    4K UHD;
    2K; 24/25/30
    1080;

    Canon C300MKII/C500
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K;
    1080;

    Video to ProRes / DNxHR
    (DNx utilizes a .MOV wrapper)
    Codecs
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB

    Frame rates
    4K DCI; N/A
    4K UHD; 24/25/30p
    2K; N/A
    1080p; 24/25/30/50/60/100^/120p^
    1080i; 50/60i
    720p; 50/60p
    Onboard processing
    Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)
    4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
    Audio in/out (48kHz PCM audio)
    HDMI 2 or 8ch 24-bit, camera dependent
    SDI 12ch 48kHz 24-bit
    Audio 2ch balanced XLR analog in/out
    Dynamic range >90dB
    Max signal level +24dBu
    Max analog gain +52dB
    48V Phantom Power for Mic
    Remote start/stop
    HDMI Auto HDMI Trigger
    Supported Protocols - Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    Other LANC control - Slave
    Playback
    Playlist / Genlock / LTC Yes / Yes / Yes
    CDNG (Recorded content) No support
    ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
    DNxHR / DNxHD (recorded content) All recorded les playback at native rate except 4K DCI which plays back at 24p only. Playback in slow motion >= 100fps
    Recording
    Pre-roll record Yes (HD 8s, 4K 2s)
    Custom timelapse Yes
    Meta data tagging Yes (10 tags available)
    Supported media 2.5 SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    Master caddy case Master Caddy II (included)
    75mm x 105mm x 12mm
    Master caddy dock 2.5 SATA to USB 2.0/3.0
    Supported applications FCPX/FCP7+ / Media Composer
    5.0+ / Premiere 5.5+
    EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
    Autodesk Smoke 2015
    XML support FCPX XML native, FCP7 supported with
    conversion (Adobe compatible)
    Accessories included Shogun Flame unit, Master Caddy II x 1,
    12V-3A AC power supply, Breakout XLR cable
    Optional extras Accessory Kit: 2 x battery,
    1 x charger, 1 x power supply, HPRC case,
    USB dock, control cable, Dtap cable,
    Master Caddy x 4, Power supply, Sun hood

    Power Kit: 2 x battery,
    1 x charger, 1 x power supply

    Other: Atomos HDMI cable,
    X-Rite i1DisplayPro calibration



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